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DTSTART;VALUE=DATE:20180517
DTEND;VALUE=DATE:20180519
DTSTAMP:20260528T131204
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SUMMARY:INTERIOR - INFERIOR - IN THEORY? – International Conference
DESCRIPTION:Interior – Inferior – In Theory? Contemporary Positions in Interior Design Theory\n17-18 May 2018\, Berlin\, Germany \nInternational conference organised by BAU International Berlin – University of Applied Sciences\, Prof. Dr. Carola Ebert\, Chair of Interior Design\, History and Theory of Architecture and Design\, in cooperation with Architektenkammer Berlin\, Bund Deutscher Innenarchitekten\, European Council of Interior Architects and Netzwerk Architekturwissenschaft. \n \nThe conference Interior – inferior – in theory? Contemporary positions in interior design theory brings together interior design researchers and educators from different countries to discuss contemporary theoretical positions within/about the discipline. \nWhat constitutes interior design/interior architecture? How may interior design’s relationship to architecture and design be defined and reflected theoretically? How is this discipline\, which for decades has been classified as “emerging“ or “relatively young”\, taught\, researched and understood professionally in different countries? How has this changed over time? \nTaking theory building to be one of the most important acts of defining a discipline\, the conference wants to draw connections between interior design theory and its historiography\, historical research in interior design/interior architecture\, and disciplinary conceptions as they are embodied in interior design programs and professional institutions in different countries. \nGiven interior design’s status as an “emerging“ discipline\, often taught only at universities of applied sciences or\, in some countries\, not even established as a university subject\, the title “Interior – inferior – in theory?“ refers to the notion that interior design lacks a historically grown body of research and\, especially\, a theory of its own\, and instead largely relies on architecture and design theory. \nInstead of continuing to rely on related discipline’s definitions\, which result in a definition ex negativo\, the conference aims to support the current trend of establishing a body of theory for the discipline that is its own.
URL:https://designtheorie.net/events/interior-inferior-in-theory-international-conference/
LOCATION:BAU International Berlin\, Kontakt BAU International Berlin University of Applied Sciences Heinrich-Heine-Straße 15\, Berlin\, 10179\, Deutschland
CATEGORIES:Konferenz
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ORGANIZER;CN="BAU International Berlin":MAILTO:interiortheory@bauinternational-berlin.de
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DTSTART;VALUE=DATE:20180517
DTEND;VALUE=DATE:20180519
DTSTAMP:20260528T131204
CREATED:20180402T200612Z
LAST-MODIFIED:20180402T200612Z
UID:3030-1526515200-1526687999@designtheorie.net
SUMMARY:Critical By Design? – Research Conference
DESCRIPTION:Critical By Design? is a two-day international research conference on the capacity of desi gn as a mode of critique and will take place Thursday\, May 17 and Friday\, May 18\, 2018 at the Academy of Art and Design (FHNW) Basel. \nCritical By Design? is a two-day international research conference on the capacity of design as a mode of critique. It offers a unique platform for the interdisciplinary discussion of critical theories and practices from a design perspective. Renowned experts from design theory\, history and practice\, the philosophy of technology\, the art\, cultural and media studies as well as the field of human-computer interaction come together to reconsider historical trajectories\, advance contemporary understandings and propose future developments of design as a materialized form of critique. \nThe relationship between design and critique proves to be ambiguous and problematic. In its interventionist and constructive nature\, design meets criticality on the premise of the shapeability and alterability of cultural practices and social realities. Design can be seen as inherently critical and speculative\, as it sets out to project novel relationships of people and things from that which it diagnoses as the status quo. At the same time\, design is inevitably normative\, if not often violent\, as it partakes in stabilizing the past\, normalizing the present condition and obstructing possible futures. In the same way as design can unfold and make experienceable social boundaries\, values and norms embedded in our material culture\, it is a major contributor to their manifestation and obscuration in the first place. The conference aims to foster a vital rethinking of critical design strategies by reconsidering their effectiveness and exposing their inherent limitations. \nWith the emergence of approaches such as Design for Debate\, Critical and Speculative Design or Critical Making\, among many others\, the idea that design could be a material mode of critical inquiry regained an international and interdisciplinary visibility in the last decades. By now\, a plethora of labels\, schools and frameworks has established that aim to reclaim design as a critical practice. The specific conditions and boundaries of design as a mode of critical engagement and the various notions of criticality employed often remain implicit. Conceptual references to earlier radical and anti-design traditions or historic traditions of social critique have hardly been analyzed in greater depth so far. Furthermore\, contemporary critical fields like feminist or post-colonial theories have only been addressed recently and by a small number of design theorists and practitioners. The conference therefore provides a platform to discuss the genealogies of criticality in design\, to elaborate the specific capabilities and pitfalls of design-based critique and to infer implications for the further development of the field. \nAdditionally\, the conference picks up on the recent efforts within the humanities to question and update the general foundations of critical epistemologies in the wake of technological and socio-political shifts. Critique\, seen as a resistant mode of thinking and acting\, has to undergo the program of critical questioning itself. The struggle with critique observed in fields such as the social\, cultural\, art and media studies has yet to feed back into design and design research in a similar manner. The interdisciplinary context of the symposium offers a chance to exchange and co-develop emerging forms of criticality across fields and practices. \nThe following questions may serve as conceptual starting points: \n\nWhich concepts of criticality from other disciplines and traditions of thought are adapted in the discourses and practices of design? What\, on the other hand\, are distinctively designerly concepts of critique and how could these resonate with the methodologies and epistemologies of other disciplines?\nIf critique through artifacts has to be seen as a special mode of critical engagement\, how can it be specified and described? How do the specifics of design – be it the materiality of artifacts\, the propositional\, speculative and normative nature of design\, aspects of use\, mis-use and appropriation or the shaping of behaviours\, experiences and habits through design – allow for distinctive forms of critique? What then\, are promising and effective critical design tactics that are appropriate for the contemporary condition?\nWhat are inherent blind spots of design that might limit and call into question its potential for critique? How can design be critical of the politics of the already-designed and the trivialization of societal issues as design problems? How can the rhetoric valorization of criticality as a cultural currency be problematized in critical design practices? And how to foster honest practices\, that take on responsibilities for the issues they aim to debate and critique?\n\nInvited speakers include Jeffrey Bardzell\, Shaowen Bardzell\, Carl DiSalvo\, Igor Galligo\, Bruno Gransche\, Moritz Greiner-Petter\, Anja Groten\, Søren Bro Pold\, Alice Twemlow\, Peter-Paul Verbeek\, Matt Ward\, Janneke Wesseling\, Anne-Marie Willis and Ludwig Zeller. \nThe conference is organized by the members of the SNSF-funded research project Critical Artifacts\, led by Prof. Dr. Claudia Mareis and Prof. Michael Renner.
URL:https://designtheorie.net/events/critical-by-design-research-conference/
LOCATION:FHNW Academy of Art and Design\, Freilager-Platz 1\, Münchenstein b. Basel\, 4142\, Schweiz
CATEGORIES:Konferenz
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ORGANIZER;CN="IXDM":MAILTO:contact@ixdm.ch
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180517
DTEND;VALUE=DATE:20180520
DTSTAMP:20260528T131204
CREATED:20171030T174627Z
LAST-MODIFIED:20180204T102243Z
UID:2637-1526515200-1526774399@designtheorie.net
SUMMARY:TYPO Berlin 2018 »Trigger« – Konferenz
DESCRIPTION:TYPO Berlin 2018 »Trigger«: Internationale Designkonferenz vom 17. – 19. Mai 2018. \n \nDer Diskurs um die Digitalisierung hat einen Höhepunkt erreicht. Nahezu alle Wirtschaftszweige reden von Veränderung\, Transformation\, Disruption und radikalem Wandel. Doch was sind die Voraussetzungen für diesen Wandel? Wie leiten wir ihn ein\, wie messen wir ihn? Was sind die Folgen? Trigger! \nAuf der kommenden TYPO geht es um die Praxis des Veränderns\, um Szenarien\, um Vorbilder und Bewertung. Es geht um Big Data und um Personal Data. Um das digitale Zuhause. Wollen wir es überhaupt? Der gläserne Kunde: längst Realität. Doch die ersten Verbraucher verwischen ihre digitalen Spuren. Trigger! \nAuf allen Kanälen wird getriggert\, mit menschlicher oder künstlicher Intelligenz. Beim Betrügen (Fake-News) und beim Entlarven (Fakten-Check). Bei der persönlichen Empfehlung und beim automatisierten Kaufvorschlag. Trigger ist Schlüsselreiz\, Filterblase und Impuls. \nDie TYPO 2018 geht den Mechanismen der digitalen Transformation auf den Grund. Sie klärt die Rolle des Designs in diesem Prozess. Sie stellt Kompetenzen\, Methoden und Werkzeuge in Frage. Wie wär’ es denn mal – nach Mobile First und AI First – mit Mensch zuerst? Verfolgen Sie die Debatte. In Berlin. Haus der Kulturen der Welt. 17. bis 19. Mai. Trigger! \n– \nMit über 1600 Teilnehmenden und mehr als 60 Sprechern\, in einem dichten Programm über 3 Tage auf 5 Bühnen\, ist die TYPO Berlin eine der wichtigsten Designkonferenzen der Welt. Hier treffen alle aufeinander: Designer\, Branding-Experten\, Font-Spezialisten und allerlei andere kreative Denker.
URL:https://designtheorie.net/events/typo-berlin-2018-trigger-konferenz/
LOCATION:Haus der Kulturen der Welt\, John-Foster-Dulles-Allee 10\, 10557 Berlin\, Deutschland
CATEGORIES:Konferenz
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